Take Three, by Karen Kingsbury. Unabridged audio.
I enjoyed the first novel in this series, as I thought that
it presented a nuanced story about modern Christians using the arts to express
their worldview. It was a refreshing take for a genre that prefers to dwell within
established boundaries. But I found that the second book, and now the third, too
often fall into the comfortable clichés of inspirational fiction. That being said, Kingsbury delivers the novel with skill, and the novel moves at an enjoyable pace.
The movie production company that Chase and Keith have
created is on the precipice of its greatest success, but Chase feels that it is
more important to stay with his family in Indiana than to continue to face the temptations
of Hollywood. But the problems don't last too long, of course, as another
producer is easily found. The newly-formed company faces its own problems,
trying to land one of Hollywood's greatest young stars for their next movie.
But his reputation and actions may irreparable harm the Christian film company.
Back in Indiana, the next generation have their own issues.
The main romantic subplot finds Bailey Flanagan caught between the reliable Tim,
her boyfriend of many years, and the boy she really wants, Cody. One of the
things I dislike about this book is that Bailey's mistreatment of both boys is
never addressed. There is even a "happy ending" that seems to justify
her poor treatment of both Tim and Cody. Cody is criticized for never telling
Bailey how he feels about her, but not praised for not hitting on a girl who
already has a boyfriend.
There is another character who has an unplanned pregnancy,
and considers having an abortion. Now this is a Christian novel, so I certainly
did not think she would go through with it, but there was some drama there.
Except that about 20 pages before she makes a decision, we are introduced to a
family who wants to adopt a baby. At this point all of the "will she or
won't she" drama related to the unplanned pregnancy goes out the window,
as it is clear that she will give up her baby for this family to adopt. And
then after she makes the decision to go through with the pregnancy this
character, one of the young female leads and a POV character, totally
disappears from the book. Time passes for the other characters, but this one literally
never appears again -- we never see this young Christian woman
"showing," if you will, her out-of-wedlock pregnancy becoming public.
I preferred where the story seemed to be going in the first
book, and hope that the fourth book moves back into that more subtle and nuanced
territory.
source: public library.
No comments:
Post a Comment